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    <title>studenti</title>
    <subTitle>commedia per musica</subTitle>
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    <title>Studenti. Libretto. Italian</title>
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    <namePart>Prota, Gabriele,</namePart>
    <namePart type="date">1755-1843</namePart>
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    <namePart>Palomba, Giuseppe,</namePart>
    <namePart type="date">active 1769-1825</namePart>
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    <namePart>Ferdinard I, King of Two Sicilies, 1751-1825.</namePart>
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    <namePart>Coletta, Giuseppe.</namePart>
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    <namePart>Duquesney, Lauchlin.</namePart>
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    <namePart>Trabattoni, Antonia.</namePart>
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    <namePart>Ferroni Testini, Rosa.</namePart>
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  <name type="personal">
    <namePart>Ceruti, Felice.</namePart>
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  <name type="personal">
    <namePart>Ronzi Gentili, Carolina.</namePart>
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    <namePart>Bonardi, Francesco.</namePart>
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    <namePart>Pacco, Carlo.</namePart>
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    <namePart>Farnè, Teresa.</namePart>
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    <namePart>Testini, Nicola.</namePart>
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    <namePart>Montignani, Frnacesco.</namePart>
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    <namePart>Paris, Luigi.</namePart>
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    <namePart>Laneri, Francesco.</namePart>
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  <name type="personal">
    <namePart>De Stefanis, Rosa.</namePart>
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  <name type="personal">
    <namePart>Destefani, Rosa.</namePart>
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  <name type="personal">
    <namePart>Ferroni, Rosa.</namePart>
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    <namePart>Ronzi, Carolina.</namePart>
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  <name type="personal">
    <namePart>Testini, Nicola.</namePart>
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  <name type="personal">
    <namePart>Cinquemani, Concetta.</namePart>
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  <name type="personal">
    <namePart>Cannavale, Carmela.</namePart>
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  <name type="personal">
    <namePart>Casaccia, Carlo.</namePart>
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  <name type="personal">
    <namePart>Razzani, Antonio.</namePart>
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  <name type="personal">
    <namePart>Belolli Burgani, Marianna.</namePart>
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  <name type="personal">
    <namePart>Brizzi, Lodovico.</namePart>
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  <name type="personal">
    <namePart>Bergamasco, D. Giuseppe Marchesi.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="code">art</roleTerm>
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  </name>
  <name type="personal">
    <namePart>Smiraglia, D. Giuseppe.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="code">prd</roleTerm>
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  <name type="personal">
    <namePart>Magna, Domenico, milanse.</namePart>
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  <typeOfResource>text</typeOfResource>
  <genre authority="rdacontent">text</genre>
  <genre authority="lcgft" valueURI="https://id.loc.gov/authorities/genreForms/gf2014026533">Screenplays.</genre>
  <originInfo>
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    <issuance>monographic</issuance>
    <place>
      <placeTerm type="text">In Napoli</placeTerm>
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    <agent>
      <namePart>[s.n.]</namePart>
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    <dateIssued>1796</dateIssued>
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  <language>
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    <extent>52 p. ; 15 cm.</extent>
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  <note type="statement of responsibility">di Giuseppe Palomba da rappresentarsi nel Real Teatro del Fondo di Separazione per prim'Opera del corrente anno 1796 ; dedicato allo maestà di Ferdinando IV. Nostro Amatissimo Sovrano.</note>
  <note>U.S. RISM Libretto Project.</note>
  <note>Two acts; dedication signed: Giuseppe Coletta--p. 3-4.</note>
  <note>"Con licenza de' superiori"--title page.</note>
  <note>"Direttore, e compositore de' balli Sig. Lauchlin Duquesney"--p. 5.</note>
  <note>"Primi ballerini serj assoluti, e primi mezzo caratteri assoluti, Sig. Lauchlin Duquesney sudetto, Sig. Antonia Trabattoni"--p. 5.</note>
  <note>"Primi grotteschi a perfetta vicenda Sig. Rosa Ferroni Testini, Sign. Felice Ceruti, Sig. Carolina Ronzi Gentili"--p. 5.</note>
  <note>"Primo grottesco, Sig. Francesco Bonardi"--p. 5.</note>
  <note>"Ballerini di mezzo carattere Sig. Carlo Pacco, Sign. Teresa Farnè, Sign. Nicola Testini"--p. 5.</note>
  <note>"Altro grottesco, Sig. Francesco Montignani"--p. 5.</note>
  <note>"Uno de' ballerini per le parti Sig. Luigi Paris"--p. 5.</note>
  <note>"Altro ballerino Sig. Francesco Laneri"--p. 5.</note>
  <note>"Prima grottesca assoluta Sig. Rosa de Stefanis"--p. 5.</note>
  <note>"La musica è del signor D. Gabriele Prota maestro di musica napoletano al servizio della Real cappella"--p. 18.</note>
  <note>"Architetto e dipintor delle scene il Sig. D. Giuseppe Marchesi Bergamasco"--p. 18.</note>
  <note>"Machinista il Sig. D. Giuseppe Smiraglia"--p. 18.</note>
  <note>"Inventore e direttore del vestiario il Sig. Domenico Magna milanese"--p. 18.</note>
  <note>"Personaggi: DORIMENE. La Sig. Concetta Cinquemani -- CHIARINA. La Sig. Carmela Cannavale -- D. PISTOFOLO. Il Sig. Carlo Casaccia -- FARNABAZZO. Il Sig. Antonio Razzani -- ROSALBA. La Sig. Marianna Belolli Burgani -- D. ARMIDORO. Il Sig. Lodovico Brizzi--p. 18.</note>
  <note>Includes descriptions of the accompanying ballets "Ahtor ed Erma" and "Ernesto ed Elisa" which precede the libretto.</note>
  <note>"Primo ballo Ahtor, ed Erma : ballo eroico in cinque atti / d'invenzione, e direzione di Lauchelin Duquesney"--p. 6; foreword--p. 6; "Argomento"--p. 7; scenario--p. 9-14; "La musica del ballo è tutta nuova del Sig. Vittorio Trento veneziano"--p. 8; Personaggi: GUIN. Il Sig. Luigi Paris -- ERMA. La Sig. Antonia Trabattoni -- DORMO. Il Sig. Felice Ceruti -- AHTOR. Il Sig. Lauchlin Duquesney -- BALD. Il Sig. Carlo Pacò -- FLORINDA/ PILIA/ ADELIA/ ERSILIA. La Sig. Teresa Farnè, la Sig. Rosa Destefani, la Sig. Rosa Ferroni, la Sig. Carolina Ronsi -- ALLEN/ RAMSE. Il Sig. Nicola Testini, il Sig. Francesco Bonardi--p. 8.</note>
  <note>"Secondo ballo Ernesto, ed Elisa : ballo pastorale / composto, e diretto dal Sig. Lauchlin Duquesney"--p. 15; "Argomento"--p. 15-16; Personaggi: ERNESTO. Il Sig. Lauchlin Duquesney -- CONTE DI WARDICH. Il Sig. Luigi Paris -- ELISA. La Sig. Antonia Trabattoni -- NARDO. Il Sig. Felice Ceruti -- MENCHINA. Il Sig. Francesco Laneri -- GARBUGLIO. Il Sig. Carlo Pacò -- SINDACO. Il Sig. Francesco Bonardi -- SERVITORE. Il Sig. Francesco Montignani--p. 17.</note>
  <note type="venue">Performance: Napoli, Teatro del Fondo, 1796.</note>
  <subject authority="lcsh">
    <topic>Operas</topic>
    <genre>Librettos</genre>
  </subject>
  <subject authority="lcsh">
    <topic>Ballets</topic>
    <genre>Scenarios</genre>
  </subject>
  <subject>
    <topic>Guin</topic>
  </subject>
  <subject>
    <topic>Erma</topic>
  </subject>
  <subject>
    <topic>Dormo</topic>
  </subject>
  <subject>
    <topic>Ahtor</topic>
  </subject>
  <subject>
    <topic>Bald</topic>
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  <subject>
    <topic>Florinday</topic>
  </subject>
  <subject>
    <topic>Pilia</topic>
  </subject>
  <subject>
    <topic>Adelia</topic>
  </subject>
  <subject>
    <topic>Ersilia</topic>
  </subject>
  <subject>
    <topic>Allen</topic>
  </subject>
  <subject>
    <topic>Ramse</topic>
  </subject>
  <subject>
    <topic>Ernesto</topic>
  </subject>
  <subject>
    <topic>Wardich</topic>
  </subject>
  <subject>
    <topic>Elisa</topic>
  </subject>
  <subject>
    <topic>Nardo</topic>
  </subject>
  <subject>
    <topic>Menchina</topic>
  </subject>
  <subject>
    <topic>Garbuglio</topic>
  </subject>
  <subject>
    <topic>Sindaco</topic>
  </subject>
  <subject>
    <topic>Servitore</topic>
  </subject>
  <subject>
    <topic>Dorimene</topic>
  </subject>
  <subject>
    <topic>Chiarina</topic>
  </subject>
  <subject>
    <topic>Pistofolo</topic>
  </subject>
  <subject>
    <topic>Farnabazzo</topic>
  </subject>
  <subject>
    <topic>Rosalba</topic>
  </subject>
  <subject>
    <topic>D. Armidoro</topic>
  </subject>
  <classification authority="lcc">ML48 [S8472]</classification>
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      <title>Ahtor ed Erma. Scenario</title>
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    <name type="personal">
      <namePart>Trento, Vittoria,</namePart>
      <namePart type="date">approximately 1761-1833</namePart>
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