03604ctm a22005655i 4500 21575213 200617s1797 ir 000 0 per 20260529174105.6 2019714627 ascs000174 DLC eng DLC per ara Husayn Zarrin Qalam Gulzar calligraphic panel 1212/1797-8 1 volume ; 36.9 (w) x 22.6 (h) cm text txt rdacontent unmediated n rdamedia volume nc rdacarrier Qajar era Shi'i Gulzar calligraphic panel of prayers with illustrauions of the 12 Imams written in thuluth, naskh, nasta'liq, shikastah, tawqi', and Kufi scripts by the calligrapher Husayn Zarrin Qalam. All around the larger letters composed in the nasta'liq style and filled with motifs appear smaller Shi'i prayers purposefully executed in a number of different scripts. These include thuluth, naskh, nasta'liq, shikastah, tawqi', and Kufi. One inscription is even written in reverse, as if executed with the help of a mirror. The sheer variety of these scripts, along with the larger central gulzar composition, was intended to showcase Husayn Zarrin Qalam's mastery of all the major calligraphic scripts. Another gulzar panel by the same calligrapher (though misidentified) was published in Yasin Safadi's "Islamic Calligraphy" (Boulder, CO: Shambhala, 1979), p. 110, fig. 123. Dimensions of Written Surface: 34.5 (w) x 21 (h) cm This calligraphic panel executed in black and red on a white ground decorated in gold contains a number of prayers (du'as) directed to God, the Prophet Muhammad, and his son-in-law 'Ali. The letters of the larger words are executed in nasta'liq script and filled with various decorative motifs, animals, and human figures. The human figures standing side-by-side in the central horizontal letter represent the eleven Shi'i imams and (a kneeling) Imam 'Ali, holding his double-edged sword Dhu al-Fiqar. This decorative style of script, filled with various motifs, is called gulzar, which literally means "rose garden" or "full of flowers" (Safwat 1996, 106, cat. no. 52). It is usually applied to the interior of inscriptions executed in nasta'liq such as this one. The gulzar script was popular in Iran during the late 18th and 19th centuries. This piece -- written (tahrir shud) by the callligrapher Husayn Zarrin Qalam ("Husayn of the Golden Pen") for Husayn Khan Sultan in 1212/1797-8 -- dates to the early period of Qajar rule in Iran (1785-1925). Script: gulzar Calligraphy, Arabic. Calligraphy, Persian. Manuscripts, Arabic Washington (D.C.) Manuscripts, Persian Washington (D.C.) Arabic script calligraphy Gulzar Illuminated Islamic manuscripts Islamic calligraphy Islamic manuscripts Shikastah Nasta'liq Thuluth Naskh Tawqi' Kufi Iran Library of Congress African and Middle Eastern Division Washington, D.C. 20540 USA https://hdl.loc.gov/loc.amed/ascs.138 View online content for this title. 0 ibc orignew u ncip 20 y-nonroman 1-85-154.95 Near East scanned LCAP batch update 2025-06-02-04:00: LCAPM-644 amed/lilly amed/ggcalligraphy