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  <titleInfo>
    <title>Ghazals of Amir Khusraw Dihlavi</title>
  </titleInfo>
  <name type="personal" usage="primary">
    <namePart>Sultan 'Ali Mashhadi</namePart>
  </name>
  <typeOfResource manuscript="yes">text</typeOfResource>
  <genre authority="rdacontent">text</genre>
  <originInfo>
    <place>
      <placeTerm authority="marccountry" type="code">uz</placeTerm>
    </place>
    <dateCreated encoding="marc">15uu</dateCreated>
    <issuance>monographic</issuance>
  </originInfo>
  <originInfo eventType="production">
    <place>
      <placeTerm type="text"/>
    </place>
    <dateOther type="production">ca. 1500</dateOther>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">per</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <form authority="rdamedia" type="media">unmediated</form>
    <form authority="rdacarrier" type="carrier">volume</form>
    <extent>1 volume ; 15.6 (w) x 22.9 (h) cm</extent>
  </physicalDescription>
  <note>Ghazals by Indian Persian poet, Amir Khusraw Dihlavi  (d. 725/1325) written in black nasta'liq script by the calligrapher Sultan 'Ali Mashhadi, active in the Timurid court of Sultan Husayn Bayqara (r. 1470-1506) in Herat.</note>
  <note>Dimensions of Written Surface: 10.5 (w) x 18.6 (h) cm</note>
  <note>In the bottom left corner of the rightmost column appears the artist's signature, which reads: mashaqahu al-'abd (written by the servant) Sultan 'Ali Mashhadi.</note>
  <note>Sultan 'Ali Mashhadi (d. 920/1514) was active at the court of the last Timurid ruler Sultan Husayn Bayqara (r. 1470-1506) in Herat, where he was a contemporary of the famous painter Bihzad (d. 941/1535) and the prolific poet Jami (d. 897/1492).  He was responsible for copying a number of royal manuscripts and composing inscriptions to be placed on royal buildings (Huart 1972: 221-222).  A master of nasta'liq script, he also composed a treatise (risalah) on the rules of writing, the moral qualities of calligraphers, how to make ink and paper, and how to use the reed pen (qalam) and other writing implements (see Qadi Ahmad 1959: 106-125).</note>
  <note>The ghazals are executed in black nasta'liq script in three columns.  Written in diagonal, the verses appear on a beige paper and are framed by cloud bands on a background painted in gold.  Several triangular panels fill in the spaces remaining at the intersection of the diagonal verses and the rectangular frame: these panels include inscriptions that specify that the remaining part of the poem (baqiyat [al-ghazal]) continues beyond the formal (spatial) separation.  In other cases, such as at the top of the central column of text, a different ghazal is introduced by an inscription in red ink.  The inscription reads: "also from him" (wa lahu aydan) and asks for God's forgiveness of Amir Khusraw's sins.</note>
  <note>This calligraphic fragment includes a number of lyric poems (ghazals) composed by the Persian poet Amir Khusraw Dihlavi (d. 725/1325), whose pen-name or signature (takhallus) "Khusraw" appears at the top of the central column of diagonal verses.</note>
  <note>This text calligraphed by Sultan 'Ali Mashhadi is framed by a wide border painted in gold and is pasted to a sheet of paper decorated by white, blue, and red marbling (abri or ebru).  Although the original text was executed ca. 1500 in Herat, it was pasted to the marble paper at later date.</note>
  <note type="language">Script: nasta'liq</note>
  <subject authority="lcsh">
    <topic>Calligraphy, Arabic</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Calligraphy, Persian</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Manuscripts, Persian</topic>
    <geographic>Washington (D.C.)</geographic>
  </subject>
  <subject>
    <topic>Arabic script calligraphy</topic>
  </subject>
  <subject>
    <topic>Illuminated Islamic manuscripts</topic>
  </subject>
  <subject>
    <topic>Islamic calligraphy</topic>
  </subject>
  <subject>
    <topic>Islamic manuscripts</topic>
  </subject>
  <subject>
    <topic>Nasta'liq</topic>
  </subject>
  <subject>
    <hierarchicalGeographic>
      <country>Uzbekistan</country>
    </hierarchicalGeographic>
  </subject>
  <subject>
    <hierarchicalGeographic>
      <country>Tajikistan</country>
    </hierarchicalGeographic>
  </subject>
  <subject>
    <hierarchicalGeographic>
      <country>Afghanistan</country>
    </hierarchicalGeographic>
  </subject>
  <location>
    <physicalLocation>Library of Congress African and Middle Eastern Division Washington, D.C. 20540 USA</physicalLocation>
  </location>
  <location>
    <url displayLabel="View online content for this title." usage="primary display">https://hdl.loc.gov/loc.amed/ascs.082</url>
  </location>
  <identifier type="lccn">2019714665</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">200617</recordCreationDate>
    <recordChangeDate encoding="iso8601">20260529174105.5</recordChangeDate>
    <recordIdentifier>21575227</recordIdentifier>
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				(Revision 1.172 20230208)</recordOrigin>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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