04150nkm a22004453i 4500 22137282 20250607110331.1 cr ||||||||||| 210708s1856 xx nnn |o inspa 22137282 0 ibc orignew u ncip 20 y-gencatlg LCAP batch update 2025-06-02-04:00: LCAPM-999 2021670021 (WDL)09017 DLC eng DLC spa 641 918 Saliva Indian Women Making Cassava Bread, Province of Casanare. Indias Salivas haciendo casabe: Provincia de Casanare [place of publication not identified] : [publisher not identified], 1856. 1 online resource. still image sti rdacontent computer c rdamedia online resource cr rdacarrier Title devised, in English, by Library staff. Original resource extent: Watercolor on paper ; 20 x 26 centimeters. This watercolor by Manuel María Paz (1820--1902) depicts, in a manner typical of Paz's style, Saliva women in Casanare Province (present-day Casanare Department), Colombia, making bread from the cassava root. For Paz, the features of the individuals portrayed were often less important than characteristics typical of an ethnic or social group. Paz was born in Almaguer in the province of Cauca. He joined the Colombian army at a young age and showed exceptional skills as a cartographer and painter. In 1853 he took over the role of draftsman of the Comisión Corográfica (Chorographic Commission) formerly held by Henry Price (1819--63). The commission, which began work in 1850, was tasked with studying the geography, cartography, natural resources, natural history, regional culture, and agriculture of the Republic of New Granada (present-day Colombia and Panama). Paz worked under the direction of Agustín Codazzi (1793--1859), an adventurous Italian geographer and engineer who had fought with Simón Bolívar. In 1853, when the Comisión Corográfica undertook its fourth mission, to the provinces of Chocó, Buenaventura, Barbacoas, Túquerres, Pasto, Popayá, and Cauca, Paz agreed to join the expedition on informal terms. Paz was later hired on a more permanent basis, and in fact stayed with the commission for much longer than his predecessors Price and Carmelo Fernández (1809--87). Codazzi's correspondence in these years is filled with expressions of concern about finding a permanent draftsman for the commission who could endure the hardship of travel to the remote and uncharted regions of New Granada. In 1859, at Codazzi's death, Paz was among the collaborators who took on the task of reviewing, completing, and publishing the work that the Comisión Corográfica had undertaken since 1850. As a draftsman, Paz executed watercolors and drawings that were very exact and strove to represent the places and people of Colombia in a naturalistic and objective style. These pictures constitute invaluable documentary records for the history and culture of Colombia. They also provided information pertinent to drawing up the maps that were one of the main objectives of the Comisión Corográfica. More than 90 paintings by Paz are preserved at the National Library of Colombia. Original resource at: National Library of Colombia. Content in Spanish. Description based on data extracted from World Digital Library, which may be extracted from partner institutions. 1856 Bread Cooking Expeditions and surveys Indians of South America Indigenous peoples Regional Memory of the World Register, Scientific Memory of Andean America Saliva Indians Colombia. Comisión Corográfica Sponsor. Paz, Manuel María, 1820-1902 Artist. Colombia Casanare Colección Comisión Corográfica gdcwdl wdl_09017 https://hdl.loc.gov/loc.wdl/wdl.9017 wdl/wdlpartner/wdlcolombia s-Online Electronic Resource