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  <titleInfo>
    <title>Mining, Ouro Preto, Minas Gerais, Brazil</title>
  </titleInfo>
  <name type="personal" usage="primary">
    <namePart>Ríos Szalay, Adalberto,</namePart>
    <role>
      <roleTerm type="text">photographer</roleTerm>
    </role>
  </name>
  <typeOfResource>still image</typeOfResource>
  <genre authority="marcgt">graphic</genre>
  <genre authority="rdacontent">still image</genre>
  <genre authority="gmgpc">Digital photographs-Color-2010-2020.</genre>
  <originInfo>
    <place>
      <placeTerm authority="marccountry" type="code">xxu</placeTerm>
    </place>
    <dateIssued encoding="marc">2016</dateIssued>
    <issuance>monographic</issuance>
    <dateIssued>2016-06-27</dateIssued>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marccategory">electronic resource</form>
    <form authority="marcsmd">remote</form>
    <form authority="marccategory">nonprojected graphic</form>
    <form authority="marcsmd">photoprint</form>
    <form authority="gmd">graphic</form>
    <form authority="rdamedia" type="media">unmediated</form>
    <form authority="rdacarrier" type="carrier">online resource</form>
    <extent>1 photograph : digital, tiff file, color.</extent>
  </physicalDescription>
  <accessCondition type="use and reproduction">Publication may be restricted. For information see "Tres Ríos photograph collection,"</accessCondition>
  <note>Title, date, note, and keywords based on information provided by the photographer.</note>
  <note>Founded in the late seventeenth century, the city of Ouro Preto (Black Gold) in Minas Gerais was the point of convergence for prospectors and was the center of the exploitation of gold mines in Brazil in the eighteenth century. The city declined with the aging of its mines in the early nineteenth century, but there are still many churches, bridges, and fountains that attest to its past splendor and the exceptional talent of the Baroque sculptor Antonio Francisco Lisboa, "Aleijadinho." The Chapel of the Third Order of Carmel stands in the landscape of Ouro Preto for its strength and beauty. It is one of the most important temples of colonial art mining, example of rococo baroque. José dos Santos Pereira began construction in 1756, The frontispiece of carved stone is attributed to Aleijadinho. The construction project was the last to be held by Manuel Francisco Lisboa, Aleijadinho's father.</note>
  <note type="acquisition">Purchase; Adalberto Rios Szalay; 2018; (DLC/PP-2018:070).</note>
  <subject>
    <topic>Mining</topic>
    <topic>South America</topic>
  </subject>
  <subject>
    <hierarchicalGeographic authority="lcsh">
      <country>Brazil</country>
      <state>Minas Gerais</state>
      <city>Ouro Preto</city>
    </hierarchicalGeographic>
  </subject>
  <classification authority="lcc">LC-DIG-ppbd- 04107</classification>
  <location>
    <physicalLocation>Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA </physicalLocation>
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  </location>
  <location>
    <url displayLabel="original digital file" usage="primary display">https://hdl.loc.gov/loc.pnp/ppbd.04107</url>
  </location>
  <relatedItem type="host">
    <titleInfo>
      <title>Tres Rios photograph collection (Library of Congress)</title>
    </titleInfo>
    <identifier type="local">(DLC) 2022646281</identifier>
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  <identifier type="lccn">2022687308</identifier>
  <identifier type="stock number">LC-DIG-ppbd-04107 DLC</identifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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