LC control no. | n 50039791 |
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Descriptive conventions | rda |
Personal name heading | Laurencin, Marie, 1883-1956 |
See also | For works of this author written in collaboration with Guillaume Apollinaire, search also under: Lalanne, Louise Lalanne, Louise |
Other standard no. | 0000 0001 1702 2984 500011424 122131844 Q233088 |
Associated country | France |
Birth date | 1883-10-31 |
Death date | 1956-06-08 |
Place of birth | Paris (France) |
Place of death | Paris (France) |
Profession or occupation | Painters Set designers Illustrators Poets |
Found in | Allard, R. Marie Laurencin ... 1921. Hyland, D. Marie Laurencin, artist and muse, c1989: t.p. (Marie Laurencin) p. 82 (b. 10/31/1883, Paris) Bénézit, E. Dictionnaire critique et documentaire des peintres, sculpteurs ... 1976 (Laurencin, Marie; b. 10/31/1883, Paris; d. 6/8/1956, Paris) Wedderkop, H. v. Marie Laurencin, 1921: p. [14] (b. 31 Oct. 1885) Marie Laurencin, 1883-1956, 2013: page 139 (born October 31, 1883 in Paris) page 160 (died June 8, 1956 at the age of 72) Grove art online, November 13, 2013 (Laurencin, Marie; French painter, stage designer, and illustrator) Poulenc, Francis. Trois poèmes de Louise Lalanne, c1931: caption (Trois poèmes de Louise Lalanne (Guillaume Apollinaire)) Grove music online, October 14, 2013 (under Francis Poulenc, regarding Trois poèmes de Louise Lalanne: Louise Lalanne was "a fictitious poet born of [Guillaume] Apollinaire's lively imagination; the second poem is by him, the others by his mistress Marie Laurencin") New York times, 13 Oct. 2023: in an article entitled "Lives beyond the works: Looking for connections" on page C8 (An exhibition that opens on Oct. 22 at the Barnes Foundation in Philadelphia is more successful at establishing a link between an artist's sexual orientation and her creations. Laurencin's art invites, even demands, a biographical inquiry; living in Spain [during World War I], away from the great men of Paris, she painted women without men, with delicate washes of color; Laurencin designed objects, interiors, wallpaper and especially theatrical sets; her painting was a response both to the male-dominated avante-garde art in Paris and to her sexual identity as a woman who loved other women; Laurencin's theatrical designs are indistinguishable from much of her painting) |
Associated language | fre |